Filmmaker Harmony Korine, an American filmmaker, actor, photographer, artist, and author gave an open discussion about the health of the film industry today during a press conference held alongside with the 81st Venice International Film Festival. Korine said he thought there was a creative decline in Hollywood while smoking on a cigar and blowing smoke over the room. He blamed this on the industry’s rigid adherence to accepted norms, which he believes stifles originality.
Along with filmmaker Gaspar Noé and designer Joao Rosa, Korine spoke passionately about how Hollywood must develop new talent. He made the case that because gaming and streaming platforms have more creative potential than traditional filmmaking, many young, creative minds are now drawn to them instead of traditional filmmaking. He noted, “Movies aren’t the dominant art form anymore,” highlighting the departure of cinema from the center of artistic attention.
In Venice, Korine was presenting his most recent work, “Baby Invasion,” an experimental film that follows the avant-garde feature “Aggro Dr1ft” from the previous year. Korine hinted that the audience will only witness a fraction of “Baby Invasion’s” complete experience during the event.
When the movie came out, he said, it would be engaging and people could use their phones to unlock more content. He clarified, “What you’re seeing is just the surface.” “There will be other layers to the film, creating a deeper experience.”
The storyline of “Baby Invasion” is highly original; it centers on a bunch of mercenaries that break into the houses of the privileged and wealthy, dressing like babies. The movie is scheduled to have its festival premiere at midnight.
The characters are a funny and scary combination, according to Korine: “They’re weirdly cute and they do terrible things.” They’re intriguing to observe because of their odd comparison, which is also frightening.”It’s interesting to note that “Baby Invasion” was made without a traditional cast or storyline.
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Korine revealed that a few of the performers were, in fact, people who had tried to rob his acquaintances in the past. They were cast in the movie following their arrests, which gave it a very realistic feel.The film, much like Korine’s previous work, uses a combination of AI and video game technology to create a distinctive visual style.
The film also features a soundtrack by the mysterious electronic musician Burial, who worked on the project without ever meeting Korine in person.
Their collaboration took place entirely through online messages, showcasing a modern approach to creative partnerships. This unique process highlights Korine’s commitment to pushing boundaries and exploring new ways of making films.
Korine’s previous film, “Aggro Dr1ft,” which premiered at Venice in 2023, received a mixed reaction. The film, known for its use of infrared technology and provocative content, earned both applause and criticism.
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Despite this, Korine remains a frequent visitor to the Venice Film Festival, having first attended in 1997 with his debut film “Gummo.” Over the years, he has continued to challenge the norms of traditional filmmaking, seeking to innovate and disrupt the industry.
In conclusion, Korine’s Venice appearance confirmed his belief that Hollywood must welcome change and promote greater artistic freedom.
His most recent attempts are a reflection of his vision for a new wave of filmmakers that defy expectations and look for novel approaches to captivate and amuse audiences.
